Bill S.’s paraSITE shelter. He requested as many windows as possible, because “homeless people don’t have privacy issues, but they do have security issues. We want to see potential attackers, we want to be visible to the public.” Six windows are placed at eye level for when Bill is seated and six smaller windows for when Bill is reclining.
George L.’s paraSITE shelter. Made on a budget of $5.00 from trash bags, ZipLoc bags, and clear waterproof packing tape. George requested a system of “ribs” that would be made of semi-translucent trash bags. In between the ribs, he wanted windows to expose the “meat” between the bones.
The windows are made of Ziploc sandwich bags and serve as pockets to display personal items and signage for the public. Privacy and publicity can be regulated by adding or removing objects.
Bill S., Freddie F., and George L. with Freddie’s paraSITE shelter. An avid science fiction fan, Freddie requested a shelter in the shape of Jabba the Hutt.
Joe H. using his paraSITE shelter in February 2000. Joe is a homeless man who lived on the streets near Battery Park City in Manhattan. In the 1970s, he became a contractor and was responsible for building over fifteen buildings in Brooklyn. He was diagnosed with cancer in the 1980s after being exposed to Agent Orange while serving in the Air Force in Vietnam. After forty-seven different operations to treat the cancer, the Veteran’s Association of America ceased paying his medical bills and he went bankrupt.
Michael M. using his paraSITE shelter on 26th Street and 9th Avenue in New York. Michael was a homeless man who worked for the United Homeless Organization. He wanted to respond to an obscure anti-tent by-law being enforced by the Giuliani administration, which stated that any structure 3.5 feet or taller set up on city property would be considered an illegal encampment.
We designed his shelter to be closer to the ground, more like a sleeping bag or some kind of body extension. Thus, if questioned by the police, he could argue that the law did not apply because the shelter was not, in fact, a tent. On more than one occasion, Michael was confronted by police officers. After measuring his shelter, the officers moved on.
Design process sketches for a shelter built for Artie, a 62-year-old homeless man living near Madison Square Garden. Artie often stands in line for concert tickets at the request of scalpers. For his paraSITE, Artie requested a domed sitting space for himself and his girlfriend, Myra, connected to a lower, intimate sleeping area for two, “the lovin’ room.”
Halfway through construction, I received a call from Artie ordering me to stop building. “Myra talks way too much!” he explained, and asked that I make two domed sitting areas, separated by the lovin’ room. “It should look like a bra, or a dogbone.”